He presented the demos to his bandmates, which received positive reception from the rest of the band, and to Rubin, who was also positive towards the demos, though describing them to Shinoda as more 'poppy' than he expected. However, Shinoda, after listening to the demos again after the end of the tour, felt a strong negativity towards his material, especially after Rubin's statements. In a Warner Music interview, Shinoda stated that 'I don't even believe in this music. This is a mistake I don't like what I'm making. I kind of went backwards into the process and scrapped all of it and started new stuff.' įollowing A Thousand Suns and Living Things, albums which were created with leaving behind a sound that was 'not new and not cool anymore' in mind, the band's sixth studio album was approached as a return to the band's early sound, with the electronic sounds of their previous two studio albums being dropped in favor of the band's traditional rock instrumentation. Using Hybrid Theory as a template, the band composed and recorded it in context of modern times, in 2014 rather than 2000. Guitarist Brad Delson jokingly stated that the album was an 'alternative Hybrid Theory' and 'maybe its prequel', with the album being inspired by artists the band listened to before they started their musical career. Shinoda told Rolling Stone about the ideas surrounding The Hunting Party: 'We're not 18-year-old kids making a loud record – we're 37-year-old adults making a loud record. And what makes a 37-year-old angry is different than what made us angry back in the day.' Composition
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LINKIN PARK METEORA ALBUM ZIP PROFESSIONAL Shinoda described the album's sound as a 1990s style of rock record: 'It's a Rock record 'it's loud and it's Rock, but not in the sense of what you've heard before, which is more like '90s hardcore-punk–thrash'. He described the 'weak' status of modern rock in the music industry as an inspiration in recording a heavier rock album to try to bring the sound of the 1990s back to the forefront. Shinoda criticized the modern state of alternative radio, stating 'There’s so much stuff that sounds like HAIM or CHVRCHES or Vampire Weekend that I’m full. and it sounds like Disney commercial music.” This led to a response from CHVRCHES, with their lead singer Lauren Mayberry calling Shinoda's comment 'a pointless dig.' Bennington agreed with Shinoda's comments, as he said, 'The bands I was listening to when I was growing up were all doing really innovative shit-Jane’s Addiction, Alice in Chains, Nirvana. And the same thing is happening now, where there’s all this stuff that feels like the soundtrack to 'Friends' or 'The Wizards of Waverly Place.'” Bands like the Refreshments and the Rembrandts, that music fucking angers me to this day. Linkin Park had professed that they have been fans of James Jean's art for a while, describing discussions between the band and Jean as having 'started naturally'. Joe Hahn served as a creative director for the artwork of The Hunting Party, instructing Jean to 'create a universe inhabited by powerful characters and defined by strange landscapes', with a general concept of having a unique 'character' for each track on the album. Delson also contributed ideas of 'internal and external struggles', metaphorically depicted on a battlefield, where images such as 'flesh tearing and transforming into different forms and brittle shards of crystal erupting from organic matter' would recur.
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Shinoda explained: 'We try to approach our art-packaging, merchandise, tour visuals, videos, anything-in a holistic way. It's always a work in progress, but I feel like we've learned a lot and continue to make it better each time.' All the parts are interconnected, and by creating great imagery that can be used in multiple contexts, we can immerse the fans in a universe that is consistent and unique to each release. LINKIN PARK METEORA ALBUM ZIP PROFESSIONAL.